Renée Ater, Associate Professor and Director of Undergraduate Studies
Ph.D. University of Maryland
American Art

Anthony Colantuono, Associate Professor and Associate Chair
Ph.D. The Johns Hopkins University
Seventeenth-Century Italian, French, and Spanish Art

Meredith J. Gill, Associate Professor and Director of Graduate Studies
Ph.D. Princeton University
Fifteenth- and Sixteenth-Century Italian Renaissance Art

June Hargrove, Professor
Ph.D. New York University
Nineteenth-Century European Painting and Sculpture

Shannen Hill, Assistant Professor
Ph.D. University of Wisconsin-Madison
African Art

Jason Kuo, Professor
Ph.D. University of Michigan
Chinese Art

Steven A. Mansbach, Professor
Ph.D. Cornell University
Twentieth-Century Art

William L. Pressly, Professor
Ph.D. New York University
Eighteenth- and Nineteenth-Century European Art

Joshua A. Shannon, Assistant Professor
Ph.D. University of California, Berkeley
Contemporary Art History & Theory

Yui Suzuki, Assistant Professor
Ph.D. University of California at Los Angeles
Japanese Art

Marjorie S. Venit, Professor and Chair and Scheduling Officer
Ph.D. New York University
Ancient Mediterranean Art History & Archaeology

Alicia Volk, Assistant Professor
Ph.D. Yale University
Japanese Art

Arthur K. Wheelock, Jr., Professor
Ph.D. Harvard University
Seventeenth-Century Dutch and Flemish Art

Distinguished Affiliates

Franklin Kelly
Ph.D. University of Delaware
American Art

Richard Spear
Ph.D. Princeton University
Italian Baroque Art

Emeriti and Adjunct Faculty

William L. Pressly
Eighteenth- and Nineteenth-Century European Art

Office: 1211-B Art-Sociology Building

Email: wpressly@umd.edu

Telephone: (301) 405-1481

William L. Pressly's scholarship is devoted to the art of eighteenth- and nineteenth-century Europe, with an emphasis on British painting. His numerous publications include two books on the eighteenth-century Irish painter James Barry: The Life and Art of James Barry (Yale University Press, 1981) and James Barry: the Artist as Hero (Tate Gallery, 1983). His edition of the memoirs of John Francis Rigaud appeared in The Journal of the Walpole Society in 1984. His book A Catalogue of Paintings in the Folger Shakespeare Library (Yale University Press) appeared in 1993, and he contributed an essay to the exhibition catalogue John Singleton Copley in England (National Gallery of Art, Washington, and the Museum of Fine Arts, Houston, 1995-96). In 1999, the University of California Press published his book The French Revolution as Blasphemy: Johan Zoffany's Paintings of the Massacre at Paris , August 10, 1792. His most recent book is The Artist as Original Genius: Shakespeare's “Fine Frenzy” in Late-Eighteenth-Century British Art ( University of Delaware Press , 2007). Currently he is working on a book examining James Barry's murals at the Royal Society of Arts, London.

Professor Pressly has held grants from the National Endowment for the Humanities, the Guggenheim Foundation, the Institute for Advanced Study, Princeton, and the Paul Mellon Centre for Studies in British Art, London. Before joining the Maryland faculty in 1987, he had taught at Yale University, the University of Texas at Austin, and Duke University. At Maryland, he has served as Director of Graduate Studies and Chair of the Department of Art History and Archaeology.